Thomas Park has liberated his entire collection of images at archive.org to the public domain, for use without restriction. Here is a link to that collection:
Not only is my .pdf of original prints doing well– it’s also actually now public domain, so that you can use the images in any way that you like:
Here are some additional visual art materials that have been liberated into the public domain:
A pdf of my authorship is on display at the Julia Davis Library. It concerns Michael Marshall, whose works I discovered at the branch. Mr. Marshall is, I believe, an excellent artist.
He now is an art professor at the University Of Hawaii Hilo.
Thanks to Mr. Marshall and the management at the Julia Davis Library for allowing me to display this document.
Morning commute. I have been meaning to get a picture of this view of the city for some time.
I have been thinking that art often uses sensations in a sort of metaphorical way. ie– something looks polished and expensive, and this represents both the item, the subject matter, and the audience for which it’s made. Or, an industrial drone texture sounds rough– and this servers as a metaphor for modern life being rough, for the urban aesthetic having lots of abrasive qualities, for life itself in the city being abrasive at times. To me, there’s no guarantee that art actually creates the visceral effect that it implies. Rather, it suggests an effect, to the senses, and the viewer’s mind interprets this suggestion in various ways.
Perhaps, one might suggest that the degree to which art is successful depends on how evocative it is of the values and ideas wrapped up in it. There are some, though, who would say that art that is too visceral “sells out”, or is cheap.
All of this is, of course, open to discussion.
A short essay about trying to make it in visual art in the Saint Louis arts community.